The Miscellaneous Works, Volumen1H.C. Baird, 1854 |
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... style or mode of treating the subjects . I had remarked that when I had written or thought upon a particular topic , and afterwards had occasion to speak of it with a friend , the conversation generally took a much wider range , and ...
... style or mode of treating the subjects . I had remarked that when I had written or thought upon a particular topic , and afterwards had occasion to speak of it with a friend , the conversation generally took a much wider range , and ...
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... style or dress , is hardly to their advantage . After I have once written on a subject , it goes out of my mind : my feelings about it have been melted down into words , and them I forget . I have , as it were , discharged my memory of ...
... style or dress , is hardly to their advantage . After I have once written on a subject , it goes out of my mind : my feelings about it have been melted down into words , and them I forget . I have , as it were , discharged my memory of ...
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... style , complained that when he had just learned his art , he should be forced to die . Leonardo , in the slow ... styles , the felicity of the one with the carefulness of the other , and is perhaps to be preferred to either . part of ...
... style , complained that when he had just learned his art , he should be forced to die . Leonardo , in the slow ... styles , the felicity of the one with the carefulness of the other , and is perhaps to be preferred to either . part of ...
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... style ? ) muttered in coarse pro- vincial French ; and brought away with me some loose draughts and fragments , which I have been forced to part with , like drops of life - blood , for " hard money . " How often , thou tenantless ...
... style ? ) muttered in coarse pro- vincial French ; and brought away with me some loose draughts and fragments , which I have been forced to part with , like drops of life - blood , for " hard money . " How often , thou tenantless ...
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... style of different artists from their change of fortune , and as the circum- stances are little known , I will quote the passage relating to two of them : " Guido Reni , from a prince - like affluence of fortune ( the just reward of his ...
... style of different artists from their change of fortune , and as the circum- stances are little known , I will quote the passage relating to two of them : " Guido Reni , from a prince - like affluence of fortune ( the just reward of his ...
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Términos y frases comunes
abstract admiration appear artist beauty better breath character Coleridge common Correggio criticism delight Domenichino effect effeminacy Elgin marbles equal ESSAY excellence expression face fancy feeling figure French genius give grace habit hand head hear heart human idea imagination king laugh learned less live look Lord Lord Byron Lord Castlereagh Louvre Mademoiselle Mars manner mean merit Michael Angelo Milton mind Molière nature ness never object once opinion ourselves painted painter Paradise Lost pass passion perhaps person picture play pleasure poet portrait prejudice pretensions principle racter Raphael reason Rembrandt seems sense Sir Joshua Sir Walter Scott smile Sonnets sort soul speak spirit strange matters striking style supposed talk taste thing thought tion Titian truth turn vanity Vendeans vulgar Whig whole words write
Pasajes populares
Página 141 - Nay, take my life and all; pardon not that. You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Página 247 - In those vernal seasons of the year, when the air is calm and pleasant, it were an injury and sullenness against nature, not to go out and see her riches, and partake in her rejoicing with heaven and earth.
Página 245 - That heavy Saturn laugh'd and leap'd with him. Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew : Nor did I wonder at the...
Página 67 - To His Coy Mistress Had we but world enough, and time, This coyness, Lady, were no crime; We would sit down and think which way To walk, and pass our long love's day. Thou by the Indian Ganges' side Should'st rubies find: I by the tide Of Humber would complain.
Página 97 - But the iniquity of oblivion blindly scattereth her poppy, and deals with the memory of men without distinction to merit of perpetuity. Who can but pity the founder of the pyramids ? Herostratus lives that burnt the temple of Diana, he is almost lost that built it.
Página 187 - Yet nature is made better by no mean, But nature makes that mean: so, o'er that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, — change it rather; but The art itself is nature.
Página 165 - The best of men That e'er wore earth about him, was a sufferer ; A soft, meek, patient, humble, tranquil spirit ; The first true gentleman that ever breathed.
Página 49 - Even such is man, whose borrowed light Is straight called in, and paid to-night. The wind blows out, the bubble dies ; The spring entombed in autumn lies ; The dew dries up, the star is shot ; The flight is past — and man forgot.
Página 247 - Her face was veiled ; yet to my fancied sight Love, sweetness, goodness, in her person shined So clear as in no face with more delight. But, oh ! as to embrace me she inclined, I waked, she fled, and day brought back my night.
Página 97 - Oblivion is not to be hired. The greater part must be content to be as though they had not been, to be found in the register of God, not in the record of man.