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That colonial laws were too severe
When applied to a gallant cavalier,
A gentleman born, and so well known,
And accustomed to move in a higher sphere.

All this the Puritan governor heard,
And deigned in answer never a word
But in summary manner shipped away,
In a vessel that sailed from Salem Bay,
This splendid and famous cavalier,
With his Rupert hat and his popery,
To Merry England over the sea,
As being unmeet to inhabit here.

Thus endeth the Rhyme of Sir Christopher,

Knight of the Holy Sepulchre,

The first who furnished this barren land With apples of Sodom and ropes of sand.

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Of parting touched with its unrest
A tender nerve in every breast.

But sleep at last the victory won;
They must be stirring with the sun,
And drowsily good night they said,
And went still gossiping to bed,
And left the parlor wrapped in gloom.
The only live thing in the room
Was the old clock, that in its pace
Kept time with the revolving spheres
And constellations in their flight,
And struck with its uplifted mace
The dark, unconscious hours of night,
To senseless and unlistening ears.

Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward ;
The old stage-coach was at the door,
With horses harnessed, long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore."

"Farewell!" the portly Landlord cried;
"Farewell!" the parting guests replied,
But little thought that nevermore
Their feet would pass that threshold o'er;
That nevermore together there
Would they assemble, free from care,
To hear the oaks' mysterious roar,
And breathe the wholesome country air.

Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.

FLOWER-DE-LUCE

The poems in this division were published under the title Flower-de-Luce in 1867. The title poem was written March 20, 1866.

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Of spindle and of loom,

O flower-de-luce, bloom on, and let the

river

Linger to kiss thy feet!

O flower of song, bloom on, and make for

ever

The world more fair and sweet.

PALINGENESIS

In a letter dated March 20, 1859, Mr. Longfellow says: "For my own part, I am delighted to hear the birds

And the great wheel that toils amid the again. Spring always reminds me of the Palingenesis, hurry

And rushing of the flume.

or re-creation, of the old alchemists, who believed that form is indestructible and that out of the ashes of a rose the rose itself could be reconstructed, if they could only discover the great secret of Nature. It is done every spring beneath our windows and before our

Born in the purple, born to joy and pleas- eyes; and is always so wonderful and so beautiful!"

ance,

Thou dost not toil nor spin,

But makest glad and radiant with thy pres

ence

The meadow and the lin.

The wind blows, and uplifts thy drooping banner,

And round thee throng and run

The poem, which was printed in the Atlantic for July, 1864, appears to have been written, or at any rate revised, just before publication.

I LAY upon the headland-height, and listened

To the incessant sobbing of the sea

In caverns under me,

And watched the waves, that tossed and fled and glistened,

The rushes, the green yeomen of thy Until the rolling meadows of amethyst

manor,

The outlaws of the sun.

The burnished dragon-fly is thy attendant,

And tilts against the field,

And down the listed sunbeam rides resplendent

With steel-blue mail and shield.

Thou art the Iris, fair among the fairest,
Who, armed with golden rod

And winged with the celestial azure,
bearest

The message of some God.

Thou art the Muse, who far from crowded cities

Hauntest the sylvan streams,

Melted away in mist.

Then suddenly, as one from sleep, I
started;

For round about me all the sunny capes
Seemed peopled with the shapes
Of those whom I had known in days
departed,

Apparelled in the loveliness which gleams
On faces seen in dreams.

A moment only, and the light and glory
Faded away, and the disconsolate shore
Stood lonely as before;

And the wild-roses of the promontory
Around me shuddered in the wind, and
shed

Their petals of pale red.

Playing on pipes of reed the artless dit- There was an old belief that in the embers

ties

That come to us as dreams.

Of all things their primordial form exists,
And cunning alchemists

Could re-create the rose with all its members

From its own ashes, but without the bloom, Without the lost perfume.

To what temptations in lone wildernesses, What famine of the heart, what pain and loss,

The bearing of what cross!

Ah me! what wonder-working, occult sci- I do not know; nor will I vainly question

ence

Can from the ashes in our hearts once

more

The rose of youth restore? What craft of alchemy can bid defiance To time and change, and for a single hour Renew this phantom-flower?

"Oh, give me back," I cried, "the vanished splendors,

The breath of morn, and the exultant strife,
When the swift stream of life
Bounds o'er its rocky channel, and sur-
renders

The pond, with all its lilies, for the leap
Into the unknown deep!"

And the sea answered, with a lamentation, Like some old prophet wailing, and it said,

"Alas! thy youth is dead!

It breathes no more, its heart has no pulsa

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Those pages of the mystic book which hold The story still untold,

But without rash conjecture or suggestion Turn its last leaves in reverence and good heed,

Until "The End " I read.

THE BRIDGE OF CLOUD

BURN, O evening hearth, and waken
Pleasant visions, as of old!
Though the house by winds be shaken,
Safe I keep this room of gold!

Ah, no longer wizard Fancy
Builds her castles in the air,
Luring me by necromancy

Up the never-ending stair!

But, instead, she builds me bridges Over many a dark ravine, Where beneath the gusty ridges

Cataracts dash and roar unseen.

And I cross them, little heeding
Blast of wind or torrent's roar,
As I follow the receding

Footsteps that have gone before.

Naught avails the imploring gesture,
Naught avails the cry of pain!
When I touch the flying vesture,
'T is the gray robe of the rain.

Baffled I return, and, leaning

O'er the parapets of cloud, Watch the mist that intervening Wraps the valley in its shroud.

And the sounds of life ascending Faintly, vaguely, meet the ear, Murmur of bells and voices blending With the rush of waters near.

Well I know what there lies hidden, Every tower and town and farm, And again the land forbidden

Reassumes its vanished charm.

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The date is that of the burial of Hawthorne. The poem was written just a month later. Mr. Longfellow wrote to Mr. Fields: "I send you a poem, premising that I have not seen Holines's article in the Atlantic. I hope we have not been singing and saying the same things. I have only tried to describe the state of mind I was in on that day. Did you not feel so likewise?" In sending a copy of the lines at the same time to Mrs. Hawthorne, he wrote: "I feel how imperfect and inadequate they are; but I trust you will pardon their deficiencies for the love I bear his memory."

How beautiful it was, that one bright day In the long week of rain!

Though all its splendor could not chase

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For the one face I looked for was not It was as if an earthquake rent

there,

The one low voice was mute;

Only an unseen presence filled the air, And baffled my pursuit.

The hearth-stones of a continent,

And made forlorn

The households born

Of peace on earth, good-will to men!

And in despair I bowed my head; "There is no peace on earth," I said; "For hate is strong,

And mocks the song

Of peace on earth, good-will to men!"

Then pealed the bells more loud and deep: "God is not dead; nor doth he sleep!

The Wrong shall fail,
The Right prevail,

With peace on earth, good-will to men!"

Like ascendant constellations,

They control the coming years."

But the night-wind cries: "Despair! Those who walk with feet of air

Leave no long-enduring marks; At God's forges incandescent Mighty hammers beat incessant,

These are but the flying sparks.

"Dust are all the hands that wrought;
Books are sepulchres of thought;
The dead laurels of the dead
Rustle for a moment only,

THE WIND OVER THE CHIMNEY Like the withered leaves in lonely

SEE, the fire is sinking low,
Dusky red the embers glow,

While above them still I cower, While a moment more I linger, Though the clock, with lifted finger, Points beyond the midnight hour.

Sings the blackened log a tune
Learned in some forgotten June

From a school-boy at his play,
When they both were young together,
Heart of youth and summer weather
Making all their holiday.

And the night-wind rising, hark!
How above there in the dark,

In the midnight and the snow,
Ever wilder, fiercer, grander,
Like the trumpets of Iskander,

All the noisy chimneys blow!

Every quivering tongue of flame
Seems to murmur some great name,
Seems to say to me, "Aspire!"
But the night-wind answers, "Hollow
Are the visions that you follow,

Into darkness sinks your fire!"

Then the flicker of the blaze
Gleams on volumes of old days,
Written by masters of the art,
Loud through whose majestic pages
Rolls the melody of ages,

Throb the harp-strings of the heart.

And again the tongues of flame
Start exulting and exclaim:

"These are prophets, bards, and seers; In the horoscope of nations,

Churchyards at some passing tread."

Suddenly the flame sinks down ;
Sink the rumors of renown;

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HEARD AT NAHANT

O CURFEW of the setting sun! O Bells of Lynn !

O requiem of the dying day! O Bells of Lynn !

From the dark belfries of yon cloud-cathedral wafted,

Your sounds aerial seem to float, O Bells of Lynn !

Borne on the evening wind across the crim son twilight,

O'er land and sea they rise and fall, O Bells of Lynn !

The fisherman in his boat, far out beyond the headland,

Listens, and leisurely rows ashore, O Bells of Lynn !

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