Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 páginas Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Página 8
... Duke cannot get Angelo to loosen the restraints on his affections and respond to the Duke's attentions by directly appealing to him , he uses duplicity to wheedle Angelo into a tempting po- sition and into admitting , in spite of ...
... Duke cannot get Angelo to loosen the restraints on his affections and respond to the Duke's attentions by directly appealing to him , he uses duplicity to wheedle Angelo into a tempting po- sition and into admitting , in spite of ...
Página 9
... Duke's ] withdrawing " ( III.ii.129 ) , he can be referring to more than the Duke's removal from Vienna and his position as duke ; he can mean the Duke's " withdrawal " or drawing away his affections from him in favor of another.58 59 ...
... Duke's ] withdrawing " ( III.ii.129 ) , he can be referring to more than the Duke's removal from Vienna and his position as duke ; he can mean the Duke's " withdrawal " or drawing away his affections from him in favor of another.58 59 ...
Página 12
... Duke's actions again parallel those of the first scene , for in both scenes the Duke prompts his deputy to abuse his power . As he does in Act I , scene i , the Duke prods Angelo to behave shamefully so that the deputy will be more at ...
... Duke's actions again parallel those of the first scene , for in both scenes the Duke prompts his deputy to abuse his power . As he does in Act I , scene i , the Duke prods Angelo to behave shamefully so that the deputy will be more at ...
Contenido
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Derechos de autor | |
Otras 15 secciones no mostradas
Otras ediciones - Ver todas
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York