Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 páginas Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Página 34
... male and female sexual or- gans , but more broadly defined as an androgynous subject with both male and female characteristics . Ann Rosalind Jones and Peter Stallybrass have argued that Renaissance discussions of hermaphroditism reveal ...
... male and female sexual or- gans , but more broadly defined as an androgynous subject with both male and female characteristics . Ann Rosalind Jones and Peter Stallybrass have argued that Renaissance discussions of hermaphroditism reveal ...
Página 39
... male . Mistaking Sebastian for Viola , Feste will later remind the audience of the fiction of gender identity : " Nothing that is so , is so , " he surmises , as he looks at Viola's identical male twin ( 4.1.8-9 ) . His sly critique of ...
... male . Mistaking Sebastian for Viola , Feste will later remind the audience of the fiction of gender identity : " Nothing that is so , is so , " he surmises , as he looks at Viola's identical male twin ( 4.1.8-9 ) . His sly critique of ...
Página 40
... male friendship nor attention to the intensity of homosocial male bonding in the Renais- sance can explain away Antonio's melancholia . He is prepared , we learn , to spend three months with his . foundling after rescuing him , prepared ...
... male friendship nor attention to the intensity of homosocial male bonding in the Renais- sance can explain away Antonio's melancholia . He is prepared , we learn , to spend three months with his . foundling after rescuing him , prepared ...
Contenido
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Derechos de autor | |
Otras 15 secciones no mostradas
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York