Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 páginas Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Dentro del libro
Resultados 1-3 de 86
Página 169
... sense of direction is privileged , in every sense , and he is the only character in Shakespeare's historical universe who maintains this privilege from first to last . As such , he has the rather opaque quality that accompanies any ...
... sense of direction is privileged , in every sense , and he is the only character in Shakespeare's historical universe who maintains this privilege from first to last . As such , he has the rather opaque quality that accompanies any ...
Página 192
... sense ( the recursive mirroring of the mother ) , and it is derivative in the Lacanian sense ( the Desire of the Other ) . Lichtenstein writes about " the mirroring quality of the infant's sen- sory responsiveness to the mother's ...
... sense ( the recursive mirroring of the mother ) , and it is derivative in the Lacanian sense ( the Desire of the Other ) . Lichtenstein writes about " the mirroring quality of the infant's sen- sory responsiveness to the mother's ...
Página 203
... sense of the soil attaching both to his name and to Desdemona's body , Othello can come up with no term of comparison other than his own face ( " My name , that was as fresh / As Dian's visage , is now begrim'd , and black / As mine own ...
... sense of the soil attaching both to his name and to Desdemona's body , Othello can come up with no term of comparison other than his own face ( " My name , that was as fresh / As Dian's visage , is now begrim'd , and black / As mine own ...
Contenido
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Derechos de autor | |
Otras 15 secciones no mostradas
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York