Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 páginas Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Dentro del libro
Resultados 1-3 de 86
Página 210
... turn on Othello by doing to Othello what he imagines Othello has done to him . ( " I follow him to serve my turn upon him " is sexualized in ways not likely to be audible to a modern audience [ 1.1.42 ] . For turn , see Othello's later ...
... turn on Othello by doing to Othello what he imagines Othello has done to him . ( " I follow him to serve my turn upon him " is sexualized in ways not likely to be audible to a modern audience [ 1.1.42 ] . For turn , see Othello's later ...
Página 216
... turn i ' th ' bed " ( Antony and Cleopatra , 2.5.59 ) . For serve , see Lear's Oswald , " A serviceable villain , As duteous to the vices of thy mistress As badness would desire " ( 4.6.248-50 ) ; for serve my turn , see Costard's ...
... turn i ' th ' bed " ( Antony and Cleopatra , 2.5.59 ) . For serve , see Lear's Oswald , " A serviceable villain , As duteous to the vices of thy mistress As badness would desire " ( 4.6.248-50 ) ; for serve my turn , see Costard's ...
Página 274
... Turn from their office to black funeral : Our instruments to melancholy bells , Our wedding cheer to a sad burial feast ; Our solemn hymns to sullen dirges change , Our bridal flowers serve for a buried corse , And all things change ...
... Turn from their office to black funeral : Our instruments to melancholy bells , Our wedding cheer to a sad burial feast ; Our solemn hymns to sullen dirges change , Our bridal flowers serve for a buried corse , And all things change ...
Contenido
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Derechos de autor | |
Otras 15 secciones no mostradas
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York