Notes and QueriesOxford University Press, 1896 |
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Página 36
... portrait , is uniformly fixed upon us , turn middle of the whole of the eye . If we now move where we will . The great authority on this subject to one side , the apparent horizontal breadth of is Dr. Wollaston , the contemporary of ...
... portrait , is uniformly fixed upon us , turn middle of the whole of the eye . If we now move where we will . The great authority on this subject to one side , the apparent horizontal breadth of is Dr. Wollaston , the contemporary of ...
Página 166
... PORTRAIT ( 8th S. ix . 109 , 357 , 412 ; x . 102 ) .— It seems probable that the skull was introduced into portraits in order to enhance by contrast the beauty of the flesh , and not for any other purpose . There is , however , a portrait ...
... PORTRAIT ( 8th S. ix . 109 , 357 , 412 ; x . 102 ) .— It seems probable that the skull was introduced into portraits in order to enhance by contrast the beauty of the flesh , and not for any other purpose . There is , however , a portrait ...
Página 493
... portrait painters in the seventeenth and eighteenth centuries . Sir Godfrey Kneller who on the death of Sir Peter Lely , in 1680 , was eft without a competitor and became Court painter to Charles II . , and afterwards to James II ...
... portrait painters in the seventeenth and eighteenth centuries . Sir Godfrey Kneller who on the death of Sir Peter Lely , in 1680 , was eft without a competitor and became Court painter to Charles II . , and afterwards to James II ...
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