III. LITTLE CHILDREN. "For what are all our contrivings, And the gladness of your looks? "Ye are better than all the ballads And all the rest are dead." H. W. LONGfellow. FLOWERS ON THE BANK. FLOWERS On the bank-we pass and call them gay: A word of joy; thoughts of them follow not, What care we for wild flowers except their name? Flowers dance not, sing not, all their ways are tame; Yet stay, the fingers of that panting child Have culled for us the choice ones,-many a gem, Have set their lovely colours stem to stem; In her fond hands they are not tame or wild, Nestled in fringy fern so changed appears The little gift she bears! She gives herself, and she can dance and sing, And she can love inspire and blush at praise; The flowers are part of her, have caught her ways; She gives herself who gives so sweet a thing. And she is gone, with other thoughts than ours Gathering fresh love and flowers. THOMAS GORDON HAKE. Legends of the Morrow. (Chatto and Windus.) TO AMY-MY YOUNGEST. A LITTLE grave Bopeep know I, Hither, thither lightly wandering, Jests, though tight her mouth she clips, Ask you, Who this wee trot may be ?— CHARLES KENT. A RHYME OF ONE. You sleep upon your mother's breast, Your race begun, A welcome, long a wish'd-for Guest, Whose age is One. Some day, too, you may have your joy, Yes, you, yourself, may own a Boy, He'll dance, and laugh, and crow, he'll do (You crown a happy home, though you But when he's grown shall you be here And talk of times, when he (the Dear!) Dear Child, 'tis your poor lot to be I'm glad, though I am old, you see,— FREDERICK LOCKER. ON THE PORTRAIT OF A CHILD. A YEAR-an age shall fade away, (Ages of pleasure and of pain), And yet the face I see to-day For ever will remain, In my heart and in my brain! For ever; and if joy or pain The only thing, save poet's rhyme, BARRY CORNWALL English Songs. (G. Bell.) LITTLE ELFIE. I HAVE an elfish maiden child; Through windy locks her eyes gleam wild, Like little imps, her tiny hands Dart out and push and take; Chide her a trembling thing she stands, And like two leaves they shake. But to her mind a minute gone Is like a year ago; So when you lift your eyes anon, They're at it, to and fro. Sometimes, though not oppressed with thought, Then to my room in blanket brought, Where, if by chance in graver mood, Seated in cave of ancient wood, Then suddenly the pope she is, For up and down, now that, now this, Why like the pope? She's at it yet, Her knee-joints flail-like go: Unthinking man! it is to let Her mother kiss each toe. But if I turn away and write, Then sudden look around, O Elfie, make no haste to lose Thy lack of conscious sense; GEORGE MACDONALD. Breakings into wisest speeches. Baby May, &c. (K. Paul.) BABY MAY. CHEEKS as soft as July peaches, Than on the wind-swept Autumn corn, To be caught from tray or table; Deep as thoughts of cares for nations, TO ADELAIDE. CHILD of my heart! My sweet, belov'd Firstborn! Thou dove who tidings bring'st of calmer hours! Thou rainbow who dost shine when all the showers Are past, or passing! Rose which hath no thorn,― No spot, no blemish,-pure, and unforlorn! Untouched, untainted! O, my Flower of flowers! More welcome than to bees are summer bowers, To stranded seamen life-assuring morn! Welcome, a thousand welcomes! Care, who clings 'Round all, seems loosening now its serpent fold: New hope springs upward; and the bright World seems Cast back into a youth of endless springs ! BARRY CORNWALL. A DUPLICATE. MABEL, how old are you? But six! Why is it fancy plays me tricks? Upon my honour, I declare I saw you, Mabel, sitting there I LOVE a maid whose eyes are blue, Is very fond of buns. You'll not be shocked if you behold Her seated on my knee,The maid I love is six years old, And I am thirty-three! She thinks I'm very old, I know, She treats me like her slave, She pulls my whiskers when I scold, I fear she's rather fickle, too, She's many other flames, She makes them tell her tales untrue, And play at noisy games. In search of crumbs, like robin bold, And I am thirty-three ! And when my back is bent with years, And she hath known the cares and tears I know her loving heart will hold In days when she was six years old, And I was thirty-three. HAMILTON Aïdé. Songs Without Music. (D. Bogue.) PARABLE SONNETS. [Among the Bedouins, a father in enumerating his children never counts his daughters, for a daughter is considered a disgrace.] I. ILYAS the prophet, lingering 'neath the moon, And pleaded for his life in piteous tone. "Poor child, plead on," the succouring prophet saith, While she, with eager lips, like one who tries To kiss a dream, stretches her arms and cries To Heaven for help-" Plead on; such pure lovebreath, Reaching the Throne, might stay the wings of Death That, in the Desert, fan thy father's eyes." II. The drouth-slain camels lie on every hand; Seven sons await the morning vultures' claws; 'Mid empty water-skins and camel-maws The father sits, the last of all the band. He mutters, drowsing o'er the moonlit sand, "Sleep fans my brow: Sleep makes us a pashas; '1 Or, if the wing's are Death's, why Azraeel draws A childless father from an empty land." "Nay," saith a Voice, "the wind of Azraeel's wings A child's sweet breath hath stilled; so God decrees:" A camel's bell comes tinkling on the breeze, Filling the Bedouin's brain with bubble of springs And scents of flowers and shadow of wavering trees, Where, from a tent, a little maiden sings. THEODORE WATTS. [Reprinted from The Athenæum, by permission.] 1 Bedouin proverbial saying. |