ShakespearePrentice Hall, Harvester Wheatsheaf, 1995 - 165 páginas This text mounts a challenge to orthodox and oppositional critics who continue to regard Shakespearian drama as conservative in intent or effect. |
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Página 94
... actual options , at the points where personal choice and the unseen laws of neces- sity are about to intersect . The witches personify the external and internalised pressures which trap the appalled Macbeth in his harrowing dilemma ...
... actual options , at the points where personal choice and the unseen laws of neces- sity are about to intersect . The witches personify the external and internalised pressures which trap the appalled Macbeth in his harrowing dilemma ...
Página 120
... actual or virtual play , complete with audience , within the play proper , as in the masque of the Muscovites and the disastrous Pageant of the Nine Worthies in Love's Labour's Lost . The same comedy contrives a still more complex ...
... actual or virtual play , complete with audience , within the play proper , as in the masque of the Muscovites and the disastrous Pageant of the Nine Worthies in Love's Labour's Lost . The same comedy contrives a still more complex ...
Página 128
... restored to him . The play's fulfil- ment of its aims as a proleptic fable , in which the art of the possible triumphs over the intransigence of the actual , causing it to undergo ' a sea change / Into something rich 128 Shakespeare.
... restored to him . The play's fulfil- ment of its aims as a proleptic fable , in which the art of the possible triumphs over the intransigence of the actual , causing it to undergo ' a sea change / Into something rich 128 Shakespeare.
Contenido
1 and 2 Henry IV | 40 |
the subversive imagination | 70 |
the utopian | 106 |
Derechos de autor | |
Otras 6 secciones no mostradas
Otras ediciones - Ver todas
Shakespeare, 1564-1964: A Collection of Modern Essays by Various Hands Brown University,Edward Alan Bloom Sin vista previa disponible - 1964 |
Términos y frases comunes
2nd edn actual Alternative audience authority become Chapter comedies common conventional criticism cultural Deconstruction desire difference Dollimore drama effect Elizabethan English English Studies Essays experience fact future gender give Hamlet Henry Henry IV human Ibid identity ideology imagination interpretation Jameson John kind King Lear language less Literary literature lives London Macbeth Manchester Marxism meaning Merchant of Venice misogyny moral narrative nature once opening original Othello Oxford past perspective Peter play play's Political possible practice present production Prospero question radical reading reality recent Renaissance revised role romances Romeo and Juliet ruled scene sense sexual Shake Shakespeare Shylock Sinfield social society speech stage structure Tempest theatre Theory things thou tion Tradition tragedy tragic turn universal values vision voice women York York and London