Imágenes de páginas
PDF
EPUB

EPILOGUE

SPOKEN BY MRS. MOUNTFORD.

COULD poets but foresee how plays would take,
Then they could tell what epilogues to make;
Whether to thank or blame their audience most:
But that late knowledge does much hazard cost:
'Till dice are thrown, there's nothing won nor lost.
So, till the thief has stolen, he cannot know
Whether he shall escape the law or no.
But poets run much greater hazards far,
Than they who stand their trials at the bar,
The law provides a curb for its own fury,
And suffers judges to direct the jury:

But in this court, what difference does appear!
For every one's both judge and jury here;
Nay, and what's worse, an executioner.
All have a right and title to some part,
Each choosing that in which he has most art.
The dreadful men of learning all confound,
Unless the fable's good, and moral sound.
The vizor-masks that are in pit and gallery,
Approve or damn the repartee and raillery.
The lady critics, who are better read,
Inquire if characters are nicely bred ;

If the soft things are penn'd and spoke with grace:
They judge of action, too, and time, and place;
In which we do not doubt but they're discerning,
For that's a kind of assignation learning.

Beaux judge of dress; the witlings judge of songs 3
The cuckoldom, of ancient right, to cits belongs.
Poor poets thus the favour are denied

Even to make exceptions, when they're tried.
'Tis hard that they must every one admit;
Methinks I see some faces in the pit
Which must of consequence be foes to wit.
You who can judge, to sentence may proceed;
But though he cannot write, let him be freed
At least from their contempt who cannot read.

LOVE FOR LOVE.

A Comedy.

Nudus agris, nudus numm.is paternis,

Insanire parat certa ratione modoque.-HoRAT. Lib. ii. Sat. 3.

TO THE RIGHT HONOURABLE

CHARLES, EARL OF DORSET AND MIDDLESEX,

LORD CHAMBERLAIN OF HIS MAJESTY'S HOUSEHOLD, AND KNIGHT OF THE MOST NOBLE ORDER OF THE GARTER, &C. MY LORD.-A young poet is liable to the same vanity and indiscretion with a young lover; and the great man who smiles upon one, and the fine woman who looks kindly upon t'other, are both of them in danger of having the favour published with the first opportunity.

But there may be a different motive, which will a little distinguish the offenders. For though one should have a vanity in ruining another's reputation, yet the other may only have an ambition to advance his own. And I beg leave, my Lord, that I may plead the latter, both as the cause and excuse of this dedication.

Whoever is king, is also the father of his country; and as nobody can dispute your Lordship's monarchy in poetry; so all that are concerned ought to acknowledge your universal patronage; and it is only presuming on the privilege of a loyal subject, that I have ventured to make this my address of thanks to your Lordship; which, at the same time, includes a prayer for your protection.

I am not ignorant of the common form of poetical dedications, which are generally made up of panegyrics, where the authors endeavour to distinguish their patrons by the shining characters they give them above other men. But that, my Lord, is not my business at this time, nor is your Lordship now to be distinguished. I am contented with the honour I do myself in this epistle, without the vanity of attempting to add to or explain your Lordship's character. I confess it is not without some struggling that I behave myself in this case as I ought; for it is very hard to be pleased with a subject, and yet forbear it. But I choose rather to follow Pliny's precept, than his example, when in his panegyrie to the Emperor Trajan he says" Nec minus considerabo quid aures ejus pati possint, quam quid virtutibus debeatur."

I hope I may be excused the pedantry of a quotation, when it is so justly applied. Here are some lines in the print (and which your Lordship read before this play was acted) that were omitted on the stage, and particularly one whole scene in the third Act, which not only helps the design forward with less precipitation, but also heightens the ridiculous character of Foresight, which indeed seems to be maimed without it. But I found myself in great danger of a long play, and was glad to help it where I could. Though notwithstanding my care, and the kind reception it had from the town, I could heartily wish it yet shorter; but the number of different characters represented in it would have been too much crowded in less room.

This reflection on prolixity (a fault for which scarce any one beauty will atone) warns me not to be tedious now, and detain your Lordship any longer with the trifles of, my Lord, your Lordship's most obedient, and most humble servant, WILL. CONGREVE.

DRAMATIS PERSONÆ.

SIR SAMPSON LEGEND, Father to VALENTINE and BEN.
VALENTINE, fallen under his Father's displeasure by
his expensive way of living, in love with ANGELICA,
SCANDAL, his Friend, a free speaker.
TATTLE, a half-willed Beau, vain of his amours, yet
valuing himself for secrecy.

BEN, SIR SAMPSON's younger Son, half home-bred, and
half sea-brid, designed to marry Miss PRUE.
FORESIGHT, an illiterate old fellow, peevish and posi-
tive, superstitious, and pretending to understand
Astrology, Palmistry, Physiognomy, Omens, Dreams,
&c. Uncle to ANGELICA.

JEREMY, Servant to VALENTINE,
TRAPLAND, a Scrivener.

BUCKRAM, a Lawyer.
SNAP, a Bailiff.

ANGELICA, Niece to FORESIGHT, of a considerable For
tune in her own hands.

MRS. FORESIGHT, second Wife to FORESIGHT.
MRS. FRAIL, Sister to MRS. FORESIGHT, a Woman of
the Town.

MISS PRUE, Daughter to FORESIGHT by a former Wif,
a silly awkward country Girl.
Nurse to MISS PRUE.

JENNY, Maid to ANGELICA,

Steward, Sailors, and Servants.

SCENE, LONDON

PROLOGUE

SPOKEN, AT THE OPENING OF THE NEW HOUSE, BY MR. BETTERTON.

THE husbandman in vain renews his toil,

To cultivate each year a hungry soil;
And fondly hopes for rich and generous fruit,

When what should feed the tree devours the root;
The unladen boughs, he sees, bode certain dearth,
Unless transplanted to more kindly earth.
So, the poor husbands of the stage, who found
Their labours lost upon ungrateful ground,
This last and only remedy have proved;
And hope new fruit from ancient stocks removed.
Well may they hope, when you so kindly aid,
Well plant a soil which you so rich have made.
As Nature gave the world to man's first age,
So from your bounty we receive this stage;
The freedom man was born to you've restored,
And to our world such plenty you afford,
It seems like Eden, fruitful of its own accord.
But since in Paradise frail flesh gave way,
And when but two were made, both went astray;
Forbear your wonder and the fault forgive,
If in our larger family we grieve

One falling Adam, and one tempted Eve.
We who remain would gratefully repay
What our endeavours can, and bring, this day,

The first-fruit offering of a virgin play.

We hope there's something that may please each
taste,

And though of homely fare we make the feast,
Yet you will find variety at least.

There's humour, which for cheerful friends we got,
And for the thinking party there's a plot.
We've something too, to gratify ill-nature,
(If there be any here,) and that is satire;
Though satire scarce dares grin, 'tis grown so mild,
Or only shows its teeth as if it smiled.
As asses thistles, poets mumble wit,
And dare not bite, for fear of being bit.

They hold their pens, as swords are held by fools,
And are afraid to use their own edge-tools.
Since the Plain Dealer's scenes of manly rage,

A Not one has dared to lash this crying age.
This time the poet owns the bold essay,
Yet hopes there's no ill-manners in his play:
And he declares by me, he has design'd
Affront to none, but frankly speaks his mind.
And should the ensuing scenes not chance to hit,
He offers but this one excuse, 'twas writ
Before your late encouragement of wit.

ACT I.

SCENE I-VALENTINE'S Lodging. VALENTINE discovered reading, JEREMY waiting: several books upon the table.

Val. Jeremy!
Jer. Sir?

Val. Here, take away; I'll walk a turn, and digest what I have read.

Jer. [Aside.] You'll grow devilish fat upon this paper diet. [Takes away the books. Val. And d'ye hear, go you to breakfast.There's a page doubled down in Epictetus that is a feast for an emperor.

Jer. Was Epictetus a real cook, or did he only write receipts?

Val. Read, read, sirrah! and refine your appetite; learn to live upon instruction; feast your mind, and mortify your flesh; read, and take your nourishment in at your eyes; shut up your mouth, and chew the cud of understanding; so Epictetus advises.

Jer. O Lord! I have heard much of him, when I waited upon a gentleman at Cambridge. Pray what was that Epictetus?

Val. A very rich man-not worth a groat. Jer. Humph, and so he has made a very fine feast where there is nothing to be eaten?

Val. Yes.

Jer. Sir, you're a gentleman, and probably understand this fine feeding; but if you please, I had rather be at b rd-wages. Does your Epictetus, or your Seneca re, or any of these poor rich

rogues, teach you how to pay your debts without
money?
Will they shut up the mouths of your
creditors? Will Plato be bail for you? or Diogenes,
because he understands confinement, and lived in a
tub, go to prison for you? 'Slife, sir, what do
you mean? to mew yourself up here with three or
four musty books, in commendation of starving
and poverty?

Val. Why, sirrah, I have no money, you know it; and therefore resolve to rail at all that have; and in that I but follow the examples of the wisest and wittiest men in all ages these poets and philosophers whom you naturally hate, for just such another reason, because they abound in sense, and you are a fool.

Jer. Ay, sir, I am a fool, I know it; and yet, heaven help me, I'm poor enough to be a wit;but I was always a fool when I told you what your expenses would bring you to; your coaches and your liveries, your treats and your balls; your being in love with a lady that did not care a farthing for you in your prosperity; and keeping company with wits that cared for nothing but your prosperity, and now, when you are poor, hate you as much as they do one another.

Val. Well, and now I am poor I have an oppor tunity to be revenged on 'em all; I'll pursue Angelica with more love than ever, and appear more notoriously her admirer in this restraint, than when I openly rivalled the rich fops that made court to her; so shall my poverty be a mortification to her pride, and perhaps make her compassionate

the love, which has principally reduced me to this lowness of fortune. And for the wits, I'm sure I am in a condition to be even with them.

Jer. Nay, your condition is pretty even with theirs, that's the truth on't.

l'al. I'll take some of their trade out of their hands.

Jer. Now heaven, of mercy, continue the tax upon paper! you don't mean to write!

Val. Yes, I do; I'll write a play.

Jer. Hem-Sir, if you please to give me a small certificate of three lines;-only to certify those whom it may concern, that the bearer hereof, Jeremy Fetch by name, has for the space of seven years, truly and faithfully served Valentine Legend, Esq.; and that he is not now turned away for any misdemeanour, but does voluntarily dismiss his master from any future authority over him.

Val. No, sirrah, you shall live with me still. Jer. Sir, it's impossible :-I may die with you, starve with you, or be damned with your works; but to live, even three days, the life of a play, I no more expect it, than to be canonised for a Muse after my decease.

• Val. You are witty, you rogue! I shall want your help; I'll have you learn to make couplets, to tag the ends of acts; d'ye hear, get the maids to crambo in an evening, and learn the knack of rhyming you may arrive at the height of a song sent by an unknown hand, or a chocolate-house lampoon.

Jer. But, sir, is this the way to recover your father's favour? why, sir Sampson will be irreconcilable. If your younger brother should come from sea, he'd never look upon you again. You're undone, sir, you're ruined, you won't have a friend left in the world if you turn poet.-h, pox confound that Will's Coffee-house! it has ruined more young men than the Royal Qak lottery;-nothing thrives that belongs to't. The man of the house would have been an alderman by this time with half the trade, if he had set up in the city. For my part, I never sit at the door that I don't get double the stomach that I do at a horse-race :-the air upon Banstead downs is nothing to it for a whetter. Yet I never see it, but the spirit of famine appears to me, sometimes like a decayed porter, worn out with pimping, and carrying billets-doux and songs; not like other porters for hire, but for the jest's sake:

now like a thin chairman, melted down to half his proportion with carrying a poet upon tick, to visit some great fortune, and his fare to be paid him, like the wages of sin, either at the day of marriage, or the day of death.

Val. Very well, sir; can you proceed? Jer. Sometimes like a bilked bookseller, with a meagre terrified countenance, that looks as if he had written for himself, or were resolved to turn author, and bring the rest of his brethren into the same condition :-and lastly, in the form of a wornout punk, with verses in her hand, which her vanity had preferred to settlements, without a whole tatter to her tail, but as ragged as one of the Muses; or as if she were carrying her linen to the paper-mill, to be converted into folio books, of warning to all young maids, not to prefer poetry to good sense, or lying in the arms of a needy wit, before the embraces of a wealthy fool.

SCENE II.

VALENTINE, SCANDAL, and JEREMY. Scan. What, Jeremy holding forth? Val. The rogue has (with all the wit he could muster up) been declaiming against wit.

Scan. Ay? why then I'm afraid Jeremy has wit: for wherever it is, it's always contriving its own ruin. Jer. Why, so I have been telling my master, sir; Mr. Scandal, for heaven's sake, sir, try if you can dissuade him from turning poet.

Scan. Poet! he shall turn soldier first, and rather depend upon the outside of his head, than the lining. Why, what the devil! has not your poverty made you enemies enough? must you needs show your wit to get more?

Jer. Ay, more indeed; for who cares for any body that has more wit than himself?

Scan. Jeremy speaks like an oracle. Don't you see how worthless great men, and dull rich rogues, avoid a witty man of small fortune? Why, he looks like a writ of inquiry into their titles and estates; and seems commissioned by heaven to seize the better half.

Val. Therefore I would rail in my writings, and be revenged.

Scan. Rail? at whom? the whole world? Impotent and vain! who would die a martyr to sense in a country where the religion is folly? you may stand at bay for a while; but when the full cry is against you, you shan't have fair play for your life. If you can't be fairly run down by the hounds, you will be treacherously shot by the huntsmen. No, turn pimp, flatterer, quack, lawyer, parson, be chaplain to an atheist, or stallion to an old woman, anything but poet; a modern poet is worse, more servile, timorous and fawning, than any I have named without you could retrieve the ancient honours of the name, recal the stage of Athens, and be allowed the force of open, honest satire.

Val. You are as inveterate against our poets as if your character had been lately exposed upon the stage. Nay, I am not violently bent upon the trade.-[Knocking at the door.] Jeremy, see who's there. [Exit JEREMY.] But tell me what you would have me do? What does the world say of me, and my forced confinement?

Scan. The world behaves itself as it uses to do on such occasions; some pity you and condemn your father; others excuse him and blame you; only the ladies are merciful, and wish you well; since love and pleasurable expense have been your greatest faults.

[merged small][merged small][merged small][merged small][merged small][merged small][ocr errors]
[blocks in formation]

Val. By this, Scandal, you may see what it is to be great; secretaries of state, presidents of the council, and generals of an army, lead just such a life as I do; have just such crowds of visitants in a morning, all soliciting of past promises; which are but a civiler sort of duns, that lay claim to voluntary debts.

Scan. And you, like a true great man, having engaged their attendance, and promised more than ever you intend to perform, are more perplexed to find evasions than you would be to invent the honest means of keeping your word, and gratifying your creditors.

Val. Scandal, learn to spare your friends, and do not provoke your enemies: this liberty of your tongue will one day bring a confinement on your body, my friend.

SCENE IV.

VALENTINE, SCANDAL, and JEREMY.

Jer. O sir, there's Trapland the scrivener, with two suspicious fellows like lawful pads, that would knock a man down with pocket-tipstaves ;-and there's your father's steward, and the nurse with one of your children from Twitnam.

Val. Pox on her! could she find no other time to fling my sins in my face? Here, give her this, [Gives money] and bid her trouble me no more; -a thoughtless, two-handed whore! she knows my condition well enough, and might have overlaid the child a fortnight ago, if she had had any forecast in ber.

Scan. What, is it bouncing Margery with my godson?

Jer. Yes, sir.

Scan. My blessing to the boy, with this token of my love. [Gives money.] And, d'ye hear, bid Margery put more flocks in her bed, shift twice a-week, and not work so hard, that she may not smell so vigorously. I shall take the air shortly.

Val. Scandal, don't spoil my boy's milk.-[To JEREMY.] Bid Trapland come in. [Erit JEREMY.] If I can give that Cerberus a sop, I shall be at rest for one day.

SCENE V.

VALENTINE, SCANDAL, TRAPLAND, and JEREMY. Val. O Mr. Tra land, my old friend, welcome! -Jeremy, a chair quickly; a bottle of sack and a toast-fly-a chair first.

Trap. A good morning to you, Mr. Valentine, and to you, Mr. Scandal.

Scan. The morning's a very good morning, if you don't spoil it.

Val. Come sit you down, you know his way. Trap. [Sits.] There is a debt, Mr. Valentine, of fifteen hundred pounds of pretty long standingVal. I cannot talk about business with a thirsty palate. [To JEREMY.] Sirrah, the sack.

Trap. And I desire to know what course you have taken for the payment?

Val. Faith and troth, I am heartily glad to see you my service to you. [Drinks.] Fill, fill, to honest Mr. Trapland, fuller.

Trap. Hold, sweetheart;-this is not to our business. My service to you, Mr. Scandal. [Drinks.] I have forborne as long

Val. T'other glass, and then we'll talk.-Fill, Jeremy.

Trap. No more, in truth.-I have forborne, I say

Val. [To JEREMY.] Sirrah, fill when I bid you. -[TO TRAPLAND.] And how does your handsome daughter? Come, a good husband to her.

[Drinks. Trap. Thank you.-I have been out of this money

Val. Drink first.-Scandal, why do you not drink? [They drink. Trap. And in short, I can be put off no longer. Val. I was much obliged to you for your supply: it did me signal service in my necessity. But you delight in doing good.-Scandal, drink to me my friend Trapland's health. An honester man lives not, nor one more ready to serve his friend in distress, though I say it to his face. Come, fill each man his glass.

Scan. What, I know Trapland has been a whoremaster, and loves a wench still. You never knew a whoremaster that was not an honest fellow. Trap. Fy, Mr. Scandal! you never knew— Scan. What, don't I know?—I know the buxom black widow in the Poultry-eight hundred pounds a-year, jointure, and twenty thousand pounds in money. Aha, old Trap!

Val. Say you so, i'faith? come, we'll remember the widow I know whereabouts you are; come, to the widow

Trap. No more, indeed.

Val. What, the widow's health.-[To JEREMY.] Give it him.-Off with it. [They drink.] A lovely girl, i'faith, black sparkling eyes, soft pouting ruby lips; better sealing there than a bond for a million, ha!

Trap. No, no, there's no such thing, we'd better mind our business ;-you're a wag.

Val. No, faith, we'll mind the widow's business; fill again.-Pretty round heaving breasts, a Barbary shape, and a jut with her bum would stir an anchorite, and the prettiest foot! Oh, if a man could but fasten his eyes to her feet, as they steal in and out, and play at bo-peep under her petticoats! ah, Mr. Trapland?

Trap. Verily, give me a glass-you're a wagand here's to the widow. [Drinks.

Scan. [Aside to VALENTINE.] He begins to chuckle; ply him close, or he'll relapse into a dun.

« AnteriorContinuar »