THYRSIS'S PRAISE TO HIS MISTRESS. [From England's Helicon.] On a hill that grac'd the plain Comelier swain ne'er graced a hill; Thus he tuned his oaten quill: Ver hath made the pleasant field They in pleasing passen all. Leafy groves now mainly ring Notes that make the echoes long: And are list'ning to her song, Fairly spreads the damask rose, Beauties, pencils cannot feign: Fields are blest with flow'ry wreath, THE SYREN'S SONG. [In the Inner Temple Mask.] STEER, hither steer, your winged pines, All beaten mariners! Here lie love's undiscover'd mines, A prey to passengers. Perfumes far sweeter than the best Which make the phoenix' urn and nest, Fear not your ships, Nor any to oppose you, save our lips; But come on shore, Where no joy dies 'till love hath gotten more. For stars, gaze on our eyes; The compass love shall hourly sing, We will not miss To tell each point he nameth with a kiss. Then come on shore, Where no joy dies 'till love hath gotten more. HENRY KING, Bishop of Chichester, was born in 1591. He turned the Psalms into verse in 1651, and published in 1657 a small volume of Poems, Elegies, Paradoxes, and Sonnets. His Elegies are written on the deaths of Prince Henry, Sir Walter Raleigh, Gustavus Adolphus, Dr. Donne, and Ben Jonson, whom he laments as his dead friends, and some others; particularly his father, Dr. John King, bishop of London. His poems are terse and elegant, but, like those of most of his contemporaries, deficient in simplicity. He died in 1669. A DIRGE. WHAT is th' existence of man's life? But open war, or slumber'd strife? And never feels a perfect peace It is a storm, where the hot blood Which beats his bark with many a wave It is a flow'r, which buds, and grows, It is a dream, whose seeming truth It is a dial, which points out It is a weary interlude, Which doth short joys, long woes include; |