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coaches, within this realm *;" it was rejected, however, on the second reading, and the trade of coach-making went on progressively increasing

The extravagancy of domestic economy, with regard to these machines, and the servants who were deemed necessary, as their accompaniment, is strikingly depicted in the following extract from a letter written shortly after their marriage, by Lady Compton, to her husband, William Lord Compton, a few years subsequent to the death of Shakspeare. After several items equally moderate with those we are going to transcribe, she thus proceeds :-“ Alsoe, I will have 6 or 8 gentlemen ; and I will have my twoe coaches, one lyned with velvett to myselfe, wth 4 very fayre horses, and a coache for my woemen, lyned wth sweete cloth, one laced wth gold, the other w scarlett, and laced with watched lace and silver, wil 4 good horses. Alsoe, I will have twoe coachmen, one for my owne coache, the other for my women. Alsoe, att any tyme when I travayle, I will be allowed not only carroches, and spare horses for me and my women, but I will have such carryadgs, as shal be fittinge for all orderly ; not pestringe my things wth my woemens, nor theirs wth either chambermayds, or theirs wh wase maids. Alsoe, for laundresses, when I travayle I will have them sent away before wh the carryadgs to see all safe, and the chambermayds I will have goe before wh the groomes, that a chamber may be ready, sweete and cleane. Alsoe, for that yt is indecent to croud upp myself wth my gentl. usher in my coache, I will have him to have a convenyent horse to attend me either in citty or country. And I must have 2 footemen. And my desire is, that you defray, all the chardges for me. +

Of the MANNERS and Customs of this period, the next branch of our present enquiry, we shall open a short review, by sketching the prominent features of Elizabeth's personal character, which must,

* Vide Lords' Journals, vol. ji. p. 229.
+ Vide Gifford's Massinger, vol. iv. pp. 43, 44, note ex Autog. in Bibl. Harl.

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represents one of his characters as asserti

courtiers, but undertake with him) is a man of fair liui

wih tew exceptions, lady in her two caroches a day, besicht

..si), she often exhibits with such attendants as she shall third

mest excite astonishment, Beside monkeys and parachito

ut their own turpitude and caroches, a species of coach, w: play was first acted. The

:** of her private character, bably rather in size than

.x" learning, and her encouin his Tu Quoque, 16!

'

ste nuence which they exerted wie been considered, at some

*; and to the favourable side and, ind,

o that she was equally eminent for the au

moto v teminine. Among these, her low more than once particularly celebrated,

visited the ladies of her reign to more in this useful department. “ The various svadiemer by our indefatigable grandmothers,”

tenumerated, would astonish even the most ...veru ladies;" and he adds, that “

many

curious Le face and all sorts of needle-work were formerly

on sample, in a monarch, of industry and economy, more important acquisitions of literature and science,

...

Shakspeare, vol. i. p. 94. – Mr. Douce gives the title-pages of several Lits kind, in 1588, 1591, 1598, and 1599; and, lastly, describes one called i cellency,” illustrated with copper-plates, and adds, — “prefixed to the

odgoy poems in commendation of the needle, and describing the characters L'w why have been eminent for their skill in needle-work, among which are Queen

bulund the countess of Pembroke. These poems were composed by John Taylor, who un'a poct. It appears that the work in 1640) had gone through twelve impressions, Hindistan copy is now scarcely to be met with. This may be accounted for by supposing dot uch books were generally cut to pieces, and used by women to work upon or transfer wth amplors, --It appears to have been originally published in the reign of James the lid." Pin

were overwhelmed by a host of foibles, among which, none were more remarkable than her extreme vanity and coquetry, and at a period too, when she had reason to expect, from her infirmities, and the common law of nature, that death was not far distant. To be thought beautiful, young, and agile, and an object of amorous affection, to the last moment of her existence, seems to have been her chief ambition as a woman ; nor could any language on these topics, when addressed to her, be too complimentary, amatory, or glowing. When sixty years of age, Raleigh thus speaks of her, in a letter intended for her perusal :—“ I that was wont to see her riding like Alexander, hunting like Diana, walking like Venus, the gentle wind blowing her fair hair about her pure cheeks, like a nymph, sometimes sitting in the shade, like a goddess, sometimes singing like an angel, sometimes playing like Orpheus ; behold the sorrow of this world! once amiss hath bereaved me of all * ;” and when sixty-eight, Lord Mountjoy, Lord Deputy of Ireland, thus addresses her :-“When I have done all that I can, the uttermost effects of my labours doe appeare so little to my owne zeale to doe more, that I am often ashamed to present them unto your faire and royall eyes. I beseeche your Majestie to thinke, that in a matter of so great importance, my affection will not suffer me to commit so grosse a fault against your service, as to doe any thing, for the which I am not able to give you a very good account, the which above all things, I desire to do at your owne royall feete, and that your service here, may give me leave to fill my eyes with their onely deere and desired object.” † It was at the same advanced period of life, too, when the sister of Lord Essex, interceding for her brother's life, tells Her Majesty, –

Early did I hope this morning, to have had mine

blessed with your majesty's beauty. That her brother's life, his love, his service to her beauties, did not deserve so hard a punishment. That he would be disabled from ever serving again his sacred goddess! whose excellent beauties and perfections ought to feel more compassion.”*

eyes

* Vide Chalmers's Apology, p. 45., from Murden, p. 657. + Moryson's Itinerary, p. 233.

Her affectation of youth, in order to render language such as this somewhat appropriate, was carried to the most ridiculous excess; “there is almost none,” remarks Harrington, “ that wayted in Queene Elizabeth's court, and observed any thing, but can tell that it pleased her much to seeme and to be thought, and to be told, that she looked younge ;” and he then relates, in illustration of his assertion, that when Bishop Rudd preached before the Queen, in Lent, 1596, after giving an arithmetical description, with a manifest allusion to Her Majesty, of the grand climacterical year, he put a prayer into the mouth of the Queen, in which she is represented as quoting, with reference to herself, the following passage from Ecclesiastes : When the grinders shall be few in number, and they wax darke that looke out of the windowes, &c., and the daughters of singing shall be abased; but, the sermon being concluded, “ the Queene (as the manner was) opened the window, (of her closet) but she was so far from giving him thanks, or good countenance, that she said plainly, · he should have kept his arithmetick for himselfe; but I see (said she) the greatest clerks are not the wisest men ;' and so went away for the time discontented.” Three days afterwards, however, she declared before Harrington and her courtiers, that “the good bishop was deceaved in supposing she was so decayed in her limbs and senses, as himselfe, perhaps, and other of that age are wont to be ; she thankt God that neither her stomache nor strength, nor her voyce for singing, nor fingering for instruments, nor lastly, her sight was any whit decayed.” +

Her strength and agility, she endeavoured to prove, were not diminished, by dancing, or attempting to dance, to nearly the end of her reign. Being present at Lord Herbert's marriage, in 1600, after supper, dancing commenced by ladies and gentlemen in masques ;

* Walpole's Catalogue of Royal and Noble Authors apud Park, vol. ii. p. 89. + Nugæ Antiquæ, vol. ii. pp. 216–218.

and Mrs. Fetton, one of the masquers, “ went to the Queen, and woed her to dawnce. Her Majesty asked what she was ? Affection, she said. Affection, said the Queen, is false. Yet her Majestie rose and dawnced !"* She was now in her sixty-ninth year!

Nor was she less artful than vain ; cunning and finesse might be often necessary in her political capacity, but she carried the same wiliness and duplicity into all the relations of private life. Sir John Harrington has admirably drawn her disposition in these respects, and has painted her blandishments, her mutability of temper, and her deceptive conduct, with a masterly pencil. “ Hir mynde,” he observes, “ was oftime like the gentle aire that comethe from the westerly pointe in a summer's morn ; 'twas sweete and refreshinge to all arounde her :-again, she coulde pute forthe suche alteracions,-as lefte no doubtynges whose daughter she was.—By art and nature together so blended, it was difficulte to fynde hir right humour at any tyme;—for few knew how to aim their shaft against her cunning.– I have seen her smile,” he adds, “ soothe with great semblance of good likinge to all arounde, and cause everie one to open his moste inwarde thought to her ; when, on a sudden, she would ponder in pryvate on what had passed, write down all their opinions, draw them out as occasion required, and sometyme disprove to their faces what had been delivered a month before. Hence she knew every one's parte, and by thus fishinge, as Hatton sayed, she caught many poor fish, who little knew what snare was laid for them.”.j.

Of her boundless inclination to circumvent and deceive, a most ludicrous instance is related by Sir Arthur Wheldon, who tells us, that when Sir Roger Aston was sent with letters from James to the Queen (which was often the case), he did never come to deliver any

but he was placed in the Lobby; the hangings being turned him, (lifted up) where he might see the Queene dancing to a little fiddle, which was to no other end, than he should tell his master by her

* Nichols's Progresses of Queen Elizabeth, vol. ii. + Nugæ Antiquæ, vol. i. pp. 355. 357-359.

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