Wordsworth and Beginnings of Modern PoetryRoutledge, 2016 M06 17 - 224 páginas First published in 1981, this study sees Wordsworth’s work as part of the continuous European struggle to come to terms with consciousness. The author pays particular attention to Wordsworth’s style and investigates the unstated and unconscious assumptions of that style. He discusses the conflicting feelings that shaped Wordsworth’s changing conception of The Recluse, offers a new interpretation of his classification of his poems and examines the meaning of one of his favourite images — the panoramic view of a valley filled with mist. While the emphasis is on Wordsworth’s greatness as a poet, the book stresses the importance of significance of his relation to European literature and poetry. |
Contenido
Wordsworth Chooses Himself | |
Wordsworths Long Sentences | |
The Meaning of Feeling | |
The Poetry of Consciousness | |
Ideas of Order | |
After Wordsworth | |
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abstract appears autobiographical poem autobiography Balzac beginning Bildungsroman biography childhood clouds Coleridge Coleridge's composed confession consciousness describe Dorothy Wordsworth dreams edition English Ernest de Selincourt essay European Excursion experience feeling Grasmere heart Henry Crabb Robinson Home at Grasmere human idea imagination individual La Comédie humaine landscape language letter lines lives long poem looking Lyrical Ballads meditation memory metaphor Milton mind mist modern Montaigne moods mountain nature Odin Oxford passage perception perhaps Petrarch phantasy philosophical poem phrase poet poet's poetic Preface Prose Proust published R.P. Blackmur Recluse Renaissance Rousseau Ruined Cottage Salisbury Plain says seems Selincourt sense Shakespeare Snowdon Song Sonnets soul Spenser Stevens story suggests T.S. Eliot things thought Tintern Abbey truth unconscious Vale of Esthwaite verse visible scene voice W.B. Yeats Walk Whitman whole William Wordsworth words Wordsworth's poems Wordsworth's poetry writes York