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" Garrick, Madam, was no declaimer; there was not one of his own scene-shifters who could not have spoken To be, or not to be, better than he did ; yet he was the only actor I ever saw, whom I could call a master both in tragedy and comedy; though I liked... "
In a Club Corner: The Monologue of a Man who Might Have Been Sociable - Página 154
por Addison Peale Russell - 1901 - 328 páginas
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Dr. Johnson's Table Talk: Containing Aphorisms on Literature, Life ..., Volumen1

Samuel Johnson - 1798 - 464 páginas
...Garrick was no declaimer ; there was not one of his own feene fhifters who could not have fpoken ' To be, or not to be,' better than he did ; yet he was the only a£loir I ever faw whom I could call a mailer both in tragedy and comedy ; though I liked him beft...
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The Beauties of Samuel Johnson, LL.D.: Consisting of Maxims and Observations ...

Samuel Johnson - 1804 - 594 páginas
...talked with Colley Gibber, and thought him ignorant of the principles, of his art. Garrick, Madam, was no declaimer ; there was not one of ; his own...be, better than he did ; — • yet he was the only one whom I could call a master hotly in tragedy and comedy ; though I liked him best in comedy. A true...
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Dr. Johnson's table-talk: aphorisms [&c.] selected and arranged ..., Volumen1

Samuel Johnson - 1807 - 228 páginas
...hundred thousand pounds a proof of excellence? That has been done by a scoundrel commissary. Garrick was no declaimer; there was not one of his own scene-shifters...I could call a master both in tragedy and comedy; though I liked him best in comedy. A true conception of character, and natural expression of it, were...
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The life of Samuel Johnson. [With] The principal corrections and ..., Volumen4

James Boswell - 1807 - 532 páginas
...talked with Colley Gibber, and thought him ignorant of the principles of his art. — Garrick, Madam, was no declaimer; there was not one of his own scene-shifters...whom I could call a master both in tragedy and comedy ; though I liked him best in comedy. A true conception of character, and natural expression of it,...
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The Life of Samuel Johnson, LL. D.: Comprehending an Account of ..., Volumen3

James Boswell - 1807 - 562 páginas
...talked with Colley Gibber, and thought him ignorant of the principles of his art.—Garrick, Madam, was no declaimer ; there was not one of his own scene-shifters...be, better than he did ; yet he was the only actor 1 ever saw, whom 1 could call a master both in tragedy and comedy ; though I liked him best in comedy....
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The life of Samuel Johnson, Volumen2

James Boswell - 1817 - 536 páginas
...Garnrk, Madum, »as no de— claimer; tliere was uut one of his own scene-nhiftere who could not bave spoken To be, or not to be, better than he did ; yet he wig the only aotor I ever saw, whom 1 could call a master both in tragedy and comedy; though I liked...
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The Table Talk of John Selden

John Selden - 1818 - 678 páginas
...excellence? That has been done by a scoundrel commissary. Garrick was no declaimer; there was not one of bis own scene-shifters who could not have spoken ' To...or not to be,' better than he did ; yet he was the ottly actor I ever saw whom I could call a master both in tragedy and comedy; though I liked him best...
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The Life of Samuel Johnson, LL.D.

James Boswell - 1820 - 476 páginas
...talked with Colley Gibber, and thought him ignorant of the principles of his art. — Garrick, Madam, was no declaimer; there was not one of his own scene-shifters...whom I could call a master both in tragedy and comedy : though I liked him best in comedy. A true conception of character, and natural expression of it,...
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Johnsoniana..

James Boswell - 1820 - 372 páginas
...once talked with Colley Cibber, and thought him ignorant of the principles of his art. Garrick, mndam, was no declaimer: there was not one of his own scene-shifters...whom I could call a master both in tragedy and comedy ; though I liked him best in comedy. A true conception of character, and natural expression of it,...
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Johnsoniana..

James Boswell - 1820 - 382 páginas
...Gibber, and thought him ignorant of the principles of his art. Garrick, madam, was no declainier : there was not one of his own scene-shifters who could...I could call a master both in tragedy and .comedy; though I liked him best in comedy. A true conception of character, and natural expression of it, were...
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