Shakespeare's Political Plays, Volumen10Random House, 1967 - 241 páginas |
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Página 78
... prove a lover , To entertain these fair well - spoken days , I am determined to prove a villain . ( I.i.18-30 ) Yet if we consider the logic of other characters in the play , this self - interpretation is the merest rationalization ...
... prove a lover , To entertain these fair well - spoken days , I am determined to prove a villain . ( I.i.18-30 ) Yet if we consider the logic of other characters in the play , this self - interpretation is the merest rationalization ...
Página 106
... proves truer to the actual circumstances of their encounter , as the remaining , almost grotesque action of this scene startingly illustrates . Not only do Elinor and Constance fall from the high , canting tone of the French king into ...
... proves truer to the actual circumstances of their encounter , as the remaining , almost grotesque action of this scene startingly illustrates . Not only do Elinor and Constance fall from the high , canting tone of the French king into ...
Página 226
... proves ultimately amenable to good sense : despite his disgust at the " harlot's spirit " required ( III.ii.112 ) , he undertakes to adjust himself to the require- ments of the political situation without any reservation or hesitation ...
... proves ultimately amenable to good sense : despite his disgust at the " harlot's spirit " required ( III.ii.112 ) , he undertakes to adjust himself to the require- ments of the political situation without any reservation or hesitation ...
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Términos y frases comunes
accept achieve action Aeschylus already appears authority Bastard battle become begins Brutus Caesar Cassius character complex concerned contrast Coriolanus course crown death earlier effective Elizabethan England English established fact fails Falstaff father favor fear feels figure finally forces France French further give Gloucester hand hath head heart Henry Henry's history play Hotspur human initiative interest issues Joan John John's judgment kind king king's land later less lines live look Lord Margaret means medieval merely mind moral murder nature never once opening peace personality political present Prince proves Providence queen reason recognize reflects remains response result rhetoric Richard Richard III role scene seems sense Shakespeare shows situation soliloquy speech spirit success Suffolk suggests thee theme thou throne tion true turn ultimate values virtue York