Table Talk: Or, Original Essays on Men and Manners, Volumen2H. Colburn, 1824 - 401 páginas |
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Página 7
... expression , or one look , feature , or particle of nature in them , and think that this is to rise to the truth of history . They vul- garise and degrade whatever is interesting or sacred to the mind , and suppose that they thus add to ...
... expression , or one look , feature , or particle of nature in them , and think that this is to rise to the truth of history . They vul- garise and degrade whatever is interesting or sacred to the mind , and suppose that they thus add to ...
Página 10
... expression of the features borders too much on the mechanical and caricatured style . In this respect , they form a contrast to Ra- phael's , whose figures never appear to be sitting for their pictures , or to be conscious of a spec ...
... expression of the features borders too much on the mechanical and caricatured style . In this respect , they form a contrast to Ra- phael's , whose figures never appear to be sitting for their pictures , or to be conscious of a spec ...
Página 11
... expression ; but he has every where sense and meaning , perfect costume and propriety . His personages always belong to the class and time represented , and are strictly versed in the business in hand . His grotesque compositions in ...
... expression ; but he has every where sense and meaning , perfect costume and propriety . His personages always belong to the class and time represented , and are strictly versed in the business in hand . His grotesque compositions in ...
Página 12
... expression , at Blen- heim . In the more chaste and refined delinea- tion of classic fable , Poussin was without a rival . Rubens , who was a match for him in the wild and picturesque , could not pretend to vie with the elegance and ...
... expression , at Blen- heim . In the more chaste and refined delinea- tion of classic fable , Poussin was without a rival . Rubens , who was a match for him in the wild and picturesque , could not pretend to vie with the elegance and ...
Página 21
... for Italian and for our own early literature . During the rage for French models , the Sonnet had not been much studied . It is a mode of composition that depends entirely on expression ; and this the ON MILTON'S SONNETS . 21 .
... for Italian and for our own early literature . During the rage for French models , the Sonnet had not been much studied . It is a mode of composition that depends entirely on expression ; and this the ON MILTON'S SONNETS . 21 .
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Términos y frases comunes
actor admiration affect answer appear artist beauty Beggar's Opera better character cism colours common Correggio criticism death delight Della Cruscan Edinburgh Review EFFEMINACY English ESSAY expression face fancy favour favourite feel game at chess genius gentleman give hand hear heard heart idea ideal imagination interest laugh living look Lord Lord Byron manner merit Milton mind nature nerally never NICOLAS POUSSIN notions object once opinion ourselves paint painters Paradise Lost pass passion Paul Veronese perhaps person picture picturesque play pleasure poet prejudice pretensions principle racter reason Salisbury Plain seems sense sentiment Shakespear Sonnets sort soul spirit style sweet talents talk taste thing thou thought throw tion Titian truth turn uncon vanity vulgar wish wonder words write