Staged Properties in Early Modern English Drama
This collection of essays explores the material, economic and dramatic implications of stage properties in early modern English drama. The essays in this volume, written by a team of distinguished scholars in the field, offer valuable insights and historical evidence concerning the forms of production, circulation and exchange that brought such diverse properties as sacred garments, household furnishings, pawned objects, and even false beards onto the stage.
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Introduction towards a materialist account of stage properties
Properties of skill product placement in early English artisanal drama
The dramatic life of objects in the early modern theatre
Things with little social life Henslowes theatrical properties and Elizabethan household fittings
Properties of domestic life the table in Heywoods A Woman Killed With Kindness
Let me the curtains draw the dramatic and symbolic properties of the bed in Shakespearean tragedy
Properties in clothes the materials of the Renaissance theatre
Womens theatrical properties
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actors appear argues artisanal associated audience beard become body boys called Cambridge Cambridge University Press century changes characters clothes commodities companies context costumes criticism cultural cups Diary directions discussion display documents domestic drama early modern economic effect Elizabethan England English essay example exchange fact figures fittings function gender give guilds hair hand head Henslowe Henslowe's household husband identity important instance inventory involved Item John Jonson kind latter lines London marriage material meanings nature objects offer Othello Otter Oxford particular pawn pawnbroking performance play possession Posthumus practice present production props records reference relation Renaissance Revels role scene sexual Shakespeare skill social space specific stage properties Stallybrass status Studies suggests theatre theatrical things Thomas trade tragedy University Press wife woman women York