Victorian Women PoetsTess Cosslett Longman, 1996 - 286 páginas One of the triumphs of feminist criticism has been to rescue major poets such as Emily Bronte, Elizabeth Barrett Browning and Christina Rossetti from neglect. While the essays chosen for this volume focus on these three major figures, work is also included on less well-known poets who have only recently been brought into critical prominence. The introduction clarifies for the reader the themes, problems and preoccupations that inform the criticism and provides a useful guide to the debates surrounding poetry and feminism. The advantages and disadvantages of applying different critical approaches, such as psychoanalytic and historicist, to the understanding of this period and genre are also fully explored. The substantial introduction, headnotes, detailed bibliography and suggestions for further reading will make this book essential reading for students of English, Victorian and Women's Literature, and Feminist Critical Theory. |
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Página 15
... less hopeless case , but even she is menaced by the powerful male muses called up by her poetry : forces that take away her female poetic agency . The structure of Homans's chapter on Brontë is to demonstrate these difficulties in the ...
... less hopeless case , but even she is menaced by the powerful male muses called up by her poetry : forces that take away her female poetic agency . The structure of Homans's chapter on Brontë is to demonstrate these difficulties in the ...
Página 29
... less willingly acknowledged and therefore less apparent than the visionary power . This power belongs to nature , who inspires and endeavors to control the poet's speech in much the same manner as the visionary visitants . Nature is ...
... less willingly acknowledged and therefore less apparent than the visionary power . This power belongs to nature , who inspires and endeavors to control the poet's speech in much the same manner as the visionary visitants . Nature is ...
Página 164
... less preferable ( at least the notion of patriarchy has some historical base ) to our own confident handling of that phantasm , ' the dissolution of sensibility ' ? All teaching is full of danger because of the power of the teacher ...
... less preferable ( at least the notion of patriarchy has some historical base ) to our own confident handling of that phantasm , ' the dissolution of sensibility ' ? All teaching is full of danger because of the power of the teacher ...
Contenido
ISOBEL ARMSTRONG Christina Rossetti Diary of | 10 |
1 | 23 |
MARGARET HOMANS Emily Brontë | 34 |
Derechos de autor | |
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Términos y frases comunes
aesthetic archetypal Aurora Leigh Barrett Browning's Brontë's poetry century Charlotte Brontë Christina Rossetti contemporary context conventions culture Dante Gabriel Dante Gabriel Rossetti death desire discourse Elizabeth Barrett Browning Emily Brontë Emily Dickinson essay experience face fantasy female feminine feminism feminist criticism figure fruit gender Gilbert and Gubar girl Goblin Market Gondal Gondal poems heart historical Homans identity ideology imaginative intertextual Kaplan Lady language Laura lesbian literary literature Lizzie Lizzie's London lover lyric male Marian Erle marriage masculine Maude Michael Field Monna Innominata mother narrative nature nineteenth-century parody passion patriarchal poem's poet's political Pre-Raphaelite question reading relation repressive Review Romantic Romney Rossetti's poem Sandra Gilbert seems sequence sexual silence Sisterhood sisters social song sonnet speak speaker stanza story suggests SUSAN GUBAR thee theory University Press verse Victorian Poetry Victorian women poets vision voice William Michael Rossetti woman women writers writing Wuthering Heights
Referencias a este libro
Victorian Culture and Society: The Essential Glossary Adam Charles Roberts Sin vista previa disponible - 2003 |
Devoted Sisters: Representations of the Sister Relationship in Nineteenth ... Sarah Annes Brown Sin vista previa disponible - 2003 |