Victorian Women PoetsTess Cosslett Longman, 1996 - 286 páginas One of the triumphs of feminist criticism has been to rescue major poets such as Emily Bronte, Elizabeth Barrett Browning and Christina Rossetti from neglect. While the essays chosen for this volume focus on these three major figures, work is also included on less well-known poets who have only recently been brought into critical prominence. The introduction clarifies for the reader the themes, problems and preoccupations that inform the criticism and provides a useful guide to the debates surrounding poetry and feminism. The advantages and disadvantages of applying different critical approaches, such as psychoanalytic and historicist, to the understanding of this period and genre are also fully explored. The substantial introduction, headnotes, detailed bibliography and suggestions for further reading will make this book essential reading for students of English, Victorian and Women's Literature, and Feminist Critical Theory. |
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Página 29
... speaking in place of or in competition with the poet's own speech , and the poet must silence or turn away from nature in order to speak in her own right . Both Brontë's ambition and her success are greater in this regard than Dorothy's ...
... speaking in place of or in competition with the poet's own speech , and the poet must silence or turn away from nature in order to speak in her own right . Both Brontë's ambition and her success are greater in this regard than Dorothy's ...
Página 36
... speak and say Why I did cast the world away . The subsequent stanzas seem to do what the speaker is asking her God of Visions to do , in that they explain her choice , but that she closes with the same invocation with which she began ...
... speak and say Why I did cast the world away . The subsequent stanzas seem to do what the speaker is asking her God of Visions to do , in that they explain her choice , but that she closes with the same invocation with which she began ...
Página 59
... speaking . The assertion in the penultimate stanza is similarly disorienting , as the speaker seems simultaneously to ... speak from a position in which such things are not knowable - i.e. from this side of death . The lyric , ultimately ...
... speaking . The assertion in the penultimate stanza is similarly disorienting , as the speaker seems simultaneously to ... speak from a position in which such things are not knowable - i.e. from this side of death . The lyric , ultimately ...
Contenido
ISOBEL ARMSTRONG Christina Rossetti Diary of | 10 |
1 | 23 |
MARGARET HOMANS Emily Brontë | 34 |
Derechos de autor | |
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Términos y frases comunes
aesthetic archetypal Aurora Leigh Barrett Browning's Brontë's poetry century Charlotte Brontë Christina Rossetti contemporary context conventions culture Dante Gabriel Dante Gabriel Rossetti death desire discourse Elizabeth Barrett Browning Emily Brontë Emily Dickinson essay experience face fantasy female feminine feminism feminist criticism figure fruit gender Gilbert and Gubar girl Goblin Market Gondal Gondal poems heart historical Homans identity ideology imaginative intertextual Kaplan Lady language Laura lesbian literary literature Lizzie Lizzie's London lover lyric male Marian Erle marriage masculine Maude Michael Field Monna Innominata mother narrative nature nineteenth-century parody passion patriarchal poem's poet's political Pre-Raphaelite question reading relation repressive Review Romantic Romney Rossetti's poem Sandra Gilbert seems sequence sexual silence Sisterhood sisters social song sonnet speak speaker stanza story suggests SUSAN GUBAR thee theory University Press verse Victorian Poetry Victorian women poets vision voice William Michael Rossetti woman women writers writing Wuthering Heights
Referencias a este libro
Victorian Culture and Society: The Essential Glossary Adam Charles Roberts Sin vista previa disponible - 2003 |
Devoted Sisters: Representations of the Sister Relationship in Nineteenth ... Sarah Annes Brown Sin vista previa disponible - 2003 |