Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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There appears to be little more of note from the late 1930s until the establishment
of the Béla Balázs Studio in 1957 . One oddity , however , needs to be mentioned
, the ' experimental , expressionist ' ( Robinson 1972 : 62 ) film Two Times Two ...
... Viktor Bánky , 1942 Dream Brigade ( Álom brigád ) , András Jeles , 1983 or
1984 ( released 1989 ) Dream Car ( Meseauto ) , Béla Gaál , 1934 Dream Car (
Meseauto ) , Barna Kabay & Katalin Petenyi , 2000 Dream Love ( Szerelmi álmok
... János 138 Bánffy , Miklós 45 Bánky , Viktor 37 , 45 , 50 - 1 , 58 - 9 Banovich ,
Tamás 86 , 91 , 101 Bánsági , Ildikó 120 , 145 Bányasz , Imre 96 Bara , Margit 91
Bárdos , Ártúr 10 Bartók , Béla 1 , 27 , 51 , 66 , 193 Bazin , Andre 87 Bécsi ,
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003