Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Balázs always went along with the obligatory praise of Stalin and would
frequently include panegyrics to the “ Great Leader ' in his writings . His private
feelings were , no doubt , somewhat different and tainted by the memory of his
It is ironic that while cold - shouldered or attacked at home , Balázs enjoyed a
growing reputation abroad as a film theorist , administrator and writer . Frequent
invitations to give lectures abroad enabled him to get away from the poisonous ...
In 1948 , however , Balázs was dissatisfied with the original Russian - language
version and rewrote large parts of it for the Hungarian reader . The East German
edition appeared a year later where it was retitled The Film : Character and ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003