Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 43
The film industry was not nationalised immediately after the war ( unlike Poland
for example or the non - Communist nationalisation of the Czechoslovak film
industry ) and , on the surface , the situation appeared relatively open , although
This gave the Communist Party 22 . 3 per cent of the vote , making it the largest
party in Parliament ( with 100 Deputies ) though with no overall majority . The
election was certainly rigged by the Communists and double voting was
The impact and reputation of Lukács was immense . Many intellectuals were
drawn to the Party through his influence : ' If one asks why so many writers
embraced the cause of Communism in 1949 , the reason lies , perhaps not
exclusively but ...
Comentarios de la gente - Escribir un comentario
Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003