Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 38
Despite the establishment of the Projectograph Studio in 1908 , it is the Hunnia
Studio , built between September 1911 and February 1912 , which is usually
regarded as the first fully - fledged purpose - built Hungarian film studio . Situated
Despite the poor conditions in many parts of the country , the rural areas being
particularly badly affected , the film industry managed to survive and film
production began a slow expansion . This was achieved partly through the
cheapness of ...
Despite their involvement in this popular action , the same men preside over a
bureaucratic and enforced collectivisation in 1949 , and hereafter the goodwill
and camaraderie between them starts to break down . Sándor Varga ( László
György ) ...
Comentarios de la gente - Escribir un comentario
Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003