Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Sometimes the choice of an English language title for a film ( and vice - versa )
seems arbitrary and bears little or no relation to the original . I have tried
throughout to use the English language title for which a film is best known ; where
a film is ...
An English edition of Nero the BloodStained Poet exists but the translation is so
bad that in places it is unreadable . 23 Mészáros ' diploma film , the documentary
A History of Albertfalva ( Albertfalvai torntenet ) was made in 1957 . Two years ...
Társulás translates as Association ' in English but as this conveys nothing of the
essence of the output and work of this interesting studio , I retain the use of its
Hungarian name . Although it is impossible to quantify , the state of many
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003