Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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INTRODUCTION This year , 2004 , sees Hungary , along with Poland and the
Czech Republic , joining the European ... It is perhaps indicative of the status of
nations such as Hungary , in the eyes of Western Europe , that there is currently
an international cartel which essentially divided the European market between
the two systems , one German - controlled ... The worst fears of many Europeans
were therefore not realised , although European governments and film industries
London : George Allen & Unwin . Film Dope ( 1978 ) ' Paul Fejős , 15 , September
, 22 – 4 . Finney , Angus ( 1996 ) The State of European Cinema : A New Dose of
Reality . London : Cassell . Fisher , William ( 1990 ) ' Prague , Budapest , Sight ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003