Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 18
A returning POW , Ferenc , marries Etel , the widow of his former friend Rókus ,
who died in captivity . However , he harbours a guilty secret – Rókus died of
starvation because Ferenc would not share his last piece of bread with him . Etel
Gergelits , Ferenc 51 Gerő , Ernő 64 Görbe , János 53 , 61 , 73 Gordon , Zsuzsa
82 Góth , Sándor 9 Gothár , Péter 133 , 153 , 155 Greguss , Zoltán 89 Grundgens
, Gustav 121 Gyarmathy , Lívia 113 , 138 - 9 György , István 44 , 46 Gypsies 40 ...
... 172 Polanski , Roman 86 Polony , Anna 126 Positif 88 Prague Film School (
FAMU ) 102 Prague Spring 115 Pressburger , Imre 1 , 3 , 25 , 183 Projectograph
7 , 9 - 10 Pudovkin , Vsevolod 27 , 70 - 1 , 129 Puskás , Ferenc 90 , 183 – 5
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
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Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003