Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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In 1932 , with Mussolini ' s encouragement , the Venice Biennale ( originally an
arts festival that could trace its roots back to the previous century ) included a film
festival . 21 The event proved so successful ( not least in showcasing the Italian ...
Before its Hungarian premiere the film was shown at the 1942 Venice Film
Festival . Although it can hardly be said that there was much competition - by this
time the Venice Festival attracted only Nazi and Italian films along with those from
their own film festivals , they were eager participants at Cannes . ... For her part ,
Mari Törőcsik appeared to have few qualms about some of the more tacky
aspects of the Festival , dispelling any stereotypes about dour Eastern
Europeans by ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003