Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 42
( Romsics 1999a : 139 – 40 ) The result was that foreign film companies , such as
the German giant UFA , found their Hungarian assets frozen and stuck in
Hungarian banks . German companies exported a large percentage of their
The French version was subtitled ; for the German market , however , a separate
version was made with the German actor , Gustav Frölich replacing the Douglas
Fairbanks / Errol Flynn döppelganger , Jávor . The two versions took 28 days to ...
Székely ' s film ( which has been lost ) was a Hungarian - German - American co -
production that included a separate German language version , Skandal in
Budapest . It is likely , therefore , that the film came to the Soviet Union via
German or ...
Comentarios de la gente - Escribir un comentario
Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003