Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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The 1970s saw the continued development of Pannonia and a new generation of
animators emerged , including such names as György Kovásnai , Attila Dargay ,
Marcell Jankovics , Sándor Reisenbuchler and Otto Fokay . By 1972 , Pannonia ...
17 Thanks to György Novák of Szeged University for this information . The first
Hungarian state police , post - 1945 , were the AVO ( Allamvedelmi osztaly / State
Security Department ) who were formed from the Political Security Department .
Kovásnai , György 167 Krasznahorkai , László 155 Krúdy , Gyula 132 Kuhnberg ,
Leontine 14 Kútvölgyi , Erzsébet 125 Mosfilm ( USSR ) 97 Moskowitz , Gene 88
Motion Picture Producers and Distributors of America ( MPPDA ) 33 Moving ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003