Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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It therefore seems an appropriate historical moment to look at Hungary ' s
cinematic history and try to describe , analyse and delineate those factors that
have shaped it and made it the way it is . It is equally appropriate to reflect and
take stock ...
Nemes , Károly ( 1985 ) Films of Commitment : Socialist Cinema in Eastern
Europe . Budapest : Corvina . Nemeskürty ... _ ( 1965 ) A magyar film története ,
1912 – 1963 ( Hungarian Film History , 1912 – 1963 ) . Budapest : Gondolat . _ (
1968 ) ...
Sitton , Bob ( 1968 ) ' Hungarian Director Szabó Discusses his Film Father , Film
Comment , 5 , 1 , Autumn , 58 – 63 . Slide , Anthony ( ed . ) ( 1996 ) De Tóth on
De Tóth : Putting Drama in front of the Camera . London : Faber and Faber .
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003