Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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The Romanian government , having long been in dispute with Hungary over the
sovereignty of Transylvania , seized the opportunity presented by the chaos in
Hungary . The Romanian Army advanced rapidly and pressed home its
that during the 1920s , whereas the Soviet Union , France , Germany and the
USA produced films with a major international , artistic and box - office impact ,
Hungary produced almost nothing of any note . Even when compared with its ...
Between 1933 and 1938 he lived in Hungary , where he made Hungarian
Triangle ( Magyar triangulum ) , but moved to Chicago and took up the position of
professor at the Chicago Institute of Design . In 1944 , he worked with NBC and
as a ...
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