Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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In Italy , a group around the journal Cinema were attempting to distance
themselves from the dominant Italian film - making ethos - boudoir melodramas
and bombastic films of past Italian glories . The Cinema group included Giuseppe
His foreign films include : The Pacifist ( La Pacifista , Italy , 1970 ) , Technique
and Rite ( Technica ed il rito , Italy , 1971 ) ... Italy , 1973 ) and the Italian -
Yugoslav coproduction Private Vices , Public Virtues ( Vizi privati , pubbliche virtu
, 1976 ) .
Rudolf Icsey ( cameraman ) , 1947 , Austria , Germany , Italy , Brazil ( in 1955 ) .
Desző Ákos Hamza ( director ) , 1947 , France , Italy , Brazil ( in 1955 ) . Géza
Radványi ( director ) , Italy . Lia Simonyi ( documentarist ) , 1953 , Switzerland .
Comentarios de la gente - Escribir un comentario
Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003