Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Tibor Sándor quotes statistics showing that of the first 100 sound films made in
Hungary , 65 were directed by Jews ... of the film industry by Jews , referring to
the number of Jewish directors and called for an urgent Christian response .
BELLA to both Jews and the questioning of the nature of anti - Semitism were to
increase after the war ; in Félix Máriássy ' s Springtime in Budapest ( Budapesti
tavasz ) , for example , a young Jewish woman leaves the safety of the flat where
It is not that unusual to meet young Hungarians in their 20s or 30s who tell you '
My parents are Jewish but when I was five my ... To balance this picture it should
be noted that there are many Jews of the younger generation going through the ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003