Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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The Hungarian government resisted Nazi pressure to join them , militarily , in the
occupation of Czechoslovakia ; one reason why Hitler initially satisfied himself
with the occupation of the Sudetenland . In 1938 , at a meeting in Vienna ( the
The national newsreel service Hungarian World News ( Magyar világhíradó )
would often borrow footage from Ufatanwoche the German newsreel company as
in Newsreel number 846 which shows the Nazi invasion of Norway and includes
Innocent as this ' poor boy makes good format might seem at first glance , the film
is a populist hymn to racial purity and as near as any Hungarian film comes to the
Blut und boden ideology of Nazi Germany . If this was not clear at first , the ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003