Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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and Tomorrow ( Ma és holnap ) , screened on 14 October 1912 . 14 Possibly
directed by Mihály Kertész ( later to become famous in Hollywood as Michael
Curtiz , the director of Casablanca ) , this film , like so many early productions , is
They were especially enthusiastic about the Russian Revolutions of 1917 , and
many sought to emulate the October victory of the Bolsheviks . By the time of the
cessation of hostilities , whole swathes of Europe looked to be ready for ...
He ended the decade with Love Film ( his first colour film ) which was released
on 8 October 1970 . Two lovers , Kata Jánosy and Jancsi Oláh , separate in 1956
– Kata goes to Paris while Jancsi stays in Hungary . After ten years , Jancsi ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003