Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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dance , the film hosts a whole list of Hungarian stars , with Pál Jávor and Margit
Dajka playing the lovers , Lieutenant Sándor Tarjan and Vilma , while Ferenc
Kiss is Árpád , Vilma ' s brother . Árpád mistakenly believes that Sándor has
Ave Caesar ! , Sándor Korda , 1919 Awakening ( Ébredes ) , Judit Elek , 1995
Bablóna I - VI , Sándor Sára , 1985 Bálint Fábian Meets God ( Fábian Bálint
találkozása ) , Zoltán Fábri , 1980 Bánk bán , Mihály Kertész , 1914 Bánk bán ,
... 65 Reigner Beer House 6 Reisenbüchler , Sándor 167 Republic of Councils 17
- 18 , 21 - 3 , 25 - 6 , 123 , 193 Révai , József 64 - 6 , 90 Révész , Miklós 96
Rofusz , Ferenc 167 Romm , Mikhail 102 Rothermere , Viscount 26 Rózsa ,
Sándor 1 ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003