Hungarian Cinema: From Coffee House to MultiplexWallflower, 2004 - 258 páginas Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó (Hungarian Rhapsody, The Red and the White), István Szabó (Mephisto, Sunshine) and Márta Mészaros (Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities. |
Dentro del libro
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Página 53
... screenplay.18 Hunnia's head , Bingert , liked the theme but initially favoured a short film . He soon agreed to make a feature film , but it was decided to keep costs as low as possible given that the film would be mainly shot on ...
... screenplay.18 Hunnia's head , Bingert , liked the theme but initially favoured a short film . He soon agreed to make a feature film , but it was decided to keep costs as low as possible given that the film would be mainly shot on ...
Página 103
... screenplay and edited the film , as well as directing . Gaál followed his success with Green Years ( Zöldár , 1965 ) and Baptism ( Keresztelő , 1967 ) . All three of these early films can be seen as generational in that they grapple ...
... screenplay and edited the film , as well as directing . Gaál followed his success with Green Years ( Zöldár , 1965 ) and Baptism ( Keresztelő , 1967 ) . All three of these early films can be seen as generational in that they grapple ...
Página 155
... screenplay . Whether or not the Hungarian cinema can continue to accommodate such polar opposites as Satan Tango and Dolly Birds remains to be seen , but at the moment the signs are promising that a cinema of real diversity is ...
... screenplay . Whether or not the Hungarian cinema can continue to accommodate such polar opposites as Satan Tango and Dolly Birds remains to be seen , but at the moment the signs are promising that a cinema of real diversity is ...
Contenido
Introduction | 1 |
Revolution Reaction and the Talkies | 16 |
Quotas Foreigners and Coproductions | 30 |
Derechos de autor | |
Otras 14 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
actor András anti-Semitism appeared artistic Bacsó became Béla Balázs Béla Tarr Budapest cameraman cent co-productions cultural Despite directed director documentary early Eastern Europe European example fascist feature films Fejős Ferenc Film Academy Film Festival Film Week football foreign films Gaál Gábor German Géza Golden Team György György Lukács Gypsies Gyula Hollywood Horthy Hungarian audiences Hungarian cinema Hungarian film industry Hungarian Film Institute Hungarian film-makers Hungarian Quarterly Hungary's Illés Imre István Szabó János Janovics Jewish Jews József Judit Elek Károly Makk Kertész Kolosvár Korda Kovács Lajos László later Love Lukács Magyar major Mária Márta Mészáros Márton Merry-Go-Round Mihály Miklós Jancsó Nagy Nazi Nemeskürty newsreels number of films organisation Páger Pál Paul Street Boys period Péter play political popular problems Rákosi released Republic of Councils role Romania Romsics Sándor Sára scene Second World shot social Socialist Realism Soviet Union story Szabo's Székely Tamás Tibor Transylvania Zoltán Fábri