Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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After the Second Anti - Jewish Law ( Law IV , 1939 ) other repressive measures
soon followed . The third Anti - Jewish Law ( Law XV , 1941 ) prohibited marriage
and sexual relations between Jews and Gentiles , while a fourth Law in the ...
This film was a second collaboration with Imre Sarkadi and based on his short
story The Farm Yard Brute ( Tanyasi dúvad ) . Simply titled The Brute ( Dúvad ) , it
was not released until 25 May 1961 and is a much more complex film than either
... Jews in Hungary during the Second World War , to the effect that they
collaborated with the Nazis to save themselves . ... indication of how few films
make reference to Jews before the Second World War , the Jewish Film Directory
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003