Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 36
With Soviet hegemony firmly established , the Hungarian film industry was forced
to adopt the dictates of Socialist Realism . Radványi ' s film was widely thought to
be a turning point but this was not to be . It is a commonly held opinion that ' the ...
Newspaper film columns and the views contained therein were , further , made all
the more contradictory , wooden and frequently nonsensical , by the lack of any
consistent guidelines about what exactly Socialist Realism was . As if all this ...
New houses , streets are built , marvellous symbols of socialism in construction . (
BHC : 23 ) Miners in ... Contrary to the spirit of Socialist Realism , the 14 trapped
miners , who include one woman , are portrayed in some detail . Heroics and ...
Comentarios de la gente - Escribir un comentario
Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003