Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Szabó arrived on the scene a little later , but quickly made his mark . Born in 1939
in Budapest , Szabó grew up with memories of the war and its aftermath and a
number of his films are marked by this experience showing strong antipathy to ...
Confidence is , in a number of ways , a bridge between Szabó ' s earlier films and
his ' Central European trilogy ( Mephisto , Colonel Redl , Hanussen ) . In this film
human beings are swept along by the streams of history and strive to cope with ...
... István Szabó , 1977 Budapest , Why I Love It ( Budapest , amiert szeretem ) ,
István Szabó , 1971 Cantata ( Oldás és Kötes ) , Miklós Jancsó , 1963 Changing
the Guard ( Örségváltás ) , Viktor Bánky , 1942 Chico , Ibolya Fekete , 2001 Child
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003