Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Alongside the growth of the film industry a film culture also began to take root and
develop and Hungarians have a strong claim that they were the first in the world
to take film seriously and discuss the medium as an art form . Central to this ...
World War . 17 The pay is too attractive to turn down , but the peasants are almost
totally ignorant of the outside world ( András , for example , has little idea who
Hitler is ) and are going into the unknown . Indeed , at one point , they believe
The World Congress of Youth held in Budapest in 1949 provided the opportunity
for collaboration between the two countries in the shape of a documentary
recording the event directed by the Hungarian József Kis and Soviet director Arsa
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003