Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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From Coffee House to Multiplex John Cunningham. HUNGARIAN CINEMA
FROM COFFEE HOUSE TO MULTIPLEX John Cunningham WALLFLOWER
PRESS LONDON & NEW YORK GRAD 808 . 29 ( 9693 hu First published in.
In the USA , Hungarian immigrants loved the film : ' In New York City , The Times
reported that large crowds of Hungarians and HungarianAmericans stood in line
for hours at the little Tobis Theater in Yorktown to see the film when it first ...
I owe this information to the excellent and informative review of the film by István
Deák published in New York Review of Books . What Julian Graffy appears to
miss are those wonderfully detailed and nuanced parts of the film which say so ...
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Vista previa limitada - 2003