Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Nor does this stop with the acting personnel ; the cameraman István Eiben
appears in numerous credits , as does the ... The most popular actor was
probably the comedian Gyula Kabos , who produced some wonderfully honed
caricatures of ...
The main protagonist ( played in all three films by the Austrian actor Klaus Maria
Brandauer ) is caught up in the mainstream of Central and Eastern European
history , in particular the period of the rise of fascism , the exception being
Lukács , Pál / Paul Lukas ( actor ) , 1927 , USA . Géza Bolváry ( director ) ,
Germany . Imre Pressburger / Emeric Pressburger ( scriptwriter ) , left Romania in
1927 , Germany , France , Britain . Ilona Fülöp ( scriptwriter ) , USA . Sándor
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003