Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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There is no readily available information on who , among this group , attended
the 1942 Festival , but People of the Mountains was roundly praised in an article
written by Francesco Pasinetti that appeared in the 25 September 1942 issue of ...
... for example or the non - Communist nationalisation of the Czechoslovak film
industry ) and , on the surface , the situation appeared relatively open , although
the shortages of equipment , raw materials and finance created huge problems .
The Art of Film ( Iskusstvo kino ) soon became a major text in the Eastern Bloc ,
with a Yugoslav edition appearing in 1947 . ... The East German edition
appeared a year later where it was retitled The Film : Character and Growth of a
New Art ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003