Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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... small nation to the corpus of our common European culture and heritage has
been significant ; and not just in Europe - Hungarian émigrés have also enriched
the intellectual , scientific and artistic landscape of the New World and elsewhere
On the other hand , artistic influences and crossovers between Hungary and Italy
had existed for some time . Hungarian dramas , mainly comedies and ' Boulevard
Plays , were popular on the Italian stage and Italian dramatists such as Aldo de ...
Only a prejudiced mind could suggest that this was simply a one - track ,
bureaucratic , ideologically led system , stifling artistic freedom and endeavour .
In fact , the films made in this period , which must be the main criteria for any
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003