Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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By way of compensation I have attempted to give references for these , and other
directors , in the notes and bibliography . It may well be the case that in trying to
ride these two horses I fall somewhat disastrously between them , and if so I ask ...
Here Szabó attempts his most ambitious film project ever ; whereas in his
previous international co - productions charting the history of Central and Eastern
Europe ( Mephisto , Colonel Redl , Hanussen ) he is sharply focused on specific
16 The post - war attempts at integrating Gypsies thus collapsed , representing
the second failure of assimilation in Hungarian history . Given the ostracism and
the outcast status that results from it , added to which is the mystery and aura ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003