Hungarian Cinema: From Coffee House to MultiplexWallflower, 2004 - 258 páginas Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó (Hungarian Rhapsody, The Red and the White), István Szabó (Mephisto, Sunshine) and Márta Mészaros (Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities. |
Dentro del libro
Resultados 1-3 de 50
Página 58
... audiences . The national newsreel service Hungarian World News ( Magyar világhíradó ) would often borrow footage from Ufatanwoche the German newsreel company as in Newsreel number 846 which shows the Nazi invasion of Norway and includes ...
... audiences . The national newsreel service Hungarian World News ( Magyar világhíradó ) would often borrow footage from Ufatanwoche the German newsreel company as in Newsreel number 846 which shows the Nazi invasion of Norway and includes ...
Página 81
... audiences , if they did not want to see the home product , had a limited choice . Frequently the only alternatives were from other Eastern European countries , the Soviet Union , and the occasional offering from a non - aligned country ...
... audiences , if they did not want to see the home product , had a limited choice . Frequently the only alternatives were from other Eastern European countries , the Soviet Union , and the occasional offering from a non - aligned country ...
Página 149
... audiences did not . Released on 30 April 1993 , by the end of the year Child Murders had attracted only 5,148 admissions . Even winning the major prize at the Hungarian Film Week is no guarantee of a sizeable domestic audience . Child ...
... audiences did not . Released on 30 April 1993 , by the end of the year Child Murders had attracted only 5,148 admissions . Even winning the major prize at the Hungarian Film Week is no guarantee of a sizeable domestic audience . Child ...
Contenido
Introduction | 1 |
Revolution Reaction and the Talkies | 16 |
Quotas Foreigners and Coproductions | 30 |
Derechos de autor | |
Otras 14 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
actor András anti-Semitism appeared artistic Bacsó became Béla Balázs Béla Tarr Budapest cameraman cent co-productions cultural Despite directed director documentary early Eastern Europe European example fascist feature films Fejős Ferenc Film Academy Film Festival Film Week football foreign films Gaál Gábor German Géza Golden Team György György Lukács Gypsies Gyula Hollywood Horthy Hungarian audiences Hungarian cinema Hungarian film industry Hungarian Film Institute Hungarian film-makers Hungarian Quarterly Hungary's Illés Imre István Szabó János Janovics Jewish Jews József Judit Elek Károly Makk Kertész Kolosvár Korda Kovács Lajos László later Love Lukács Magyar major Mária Márta Mészáros Márton Merry-Go-Round Mihály Miklós Jancsó Nagy Nazi Nemeskürty newsreels number of films organisation Páger Pál Paul Street Boys period Péter play political popular problems Rákosi released Republic of Councils role Romania Romsics Sándor Sára scene Second World shot social Socialist Realism Soviet Union story Szabo's Székely Tamás Tibor Transylvania Zoltán Fábri