Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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... down his proposal for a dramatised historical newsreel film ' ( Gereb 1981 : 204
) about 1848 , and Balázs ' role as artistic adviser on the doomed Song of the
Cornfields did little to enamour him to the authorities . His libretto for the opera
This change was overdue and the authorities had been aware for some time that
there was enormous dissatisfaction with Hungarian films among the cinema -
going public , made all the more intense because of a lack of alternatives ...
Hungarian newsreels of the 1930s are a good example of the way Trianon , as
an issue , was foregrounded by the authorities . Although the newsreel items
rarely make overt reference to Trianon ( at least in the ones I have seen , which
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003