Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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It features a harmless but unfortunate Latin teacher , Béla Nyul ( Ernő Szabó )
who unwittingly becomes embroiled in the machinations of rightwing ... Someone
in authority has had a change of mind and Nyul has become a hate - target .
0 A powerful film in just about every way , it shows how a mixed group of
Christian and Jewish woodcutters become ensnared in the anti - Semitic
intrigues and hate of the local constable . A body of a girl is found floating in the
Tisza and the ...
... s film with its complex set of cultural , political and historical references
becomes , perhaps , easier to appreciate . ... of Ede Minarik , a laundry owner ,
who attempts to build up his local team , Csabagyöngye , to become a force in
the land .
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003