Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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The new invention soon began to capture the hearts and minds of the citizenry of
Budapest and far from being a passing fad was to become an integral part of life
in this dynamic , expanding and culturally exciting city . Makeshift , temporary ...
However , the war dragged on far longer than anyone had anticipated ; by late
1917 or early 1918 shortages and restrictions were taking their toll and the
strains began to show . Some studios went out of business , and , generally ,
The 1960s saw changes in Hungarian documentary practice , and a less
schematic and dogmatic approach began to be adopted , in line with the changes
taking place in Hungarian film - making and the more relaxed political climate ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003